experiments, sketchbook

Playing By The Book

Among the possible hobbies one can think of, making books is probably not one of the more common ones. Personally, the idea of a book as a hand-made object was long forgotten until I took a bookmaking class in college. Since then, I've just never been the same.

Bookmaking perfectly combines my love of paper goods, storytelling, working with my hands, and the challenge of thinking dimensionally. Even when I strip it down to the simplest forms, such as with my sketchbooks, I still like to play around with the binding, materials, or content. I also find it especially satisfying when I can be a little greener by repurposing random materials into pairings that work or add interest.

Here are a few that do just that:

Covers: vintage wrapping paper front, leftover gold paper back. Endsheets: random blue papers I found tossed out in art school (yes, dumpster diving is a legit skill you learned to do in my college). Instead of evenly spaced stitching I extended the horizontal lines from the front.

From "Eden" in W Magazine's Nov '06 Art Issue, a collaboration by Richard Tuttle and Mario Sorrenti. I cropped and scattered the images throughout for bursts of color and composition inspiration.

Vintage marbled endsheets used as a cover, with a vote-elected spine color from aged construction paper. In keeping with the "old-as-new" theme, the interior endsheets are also vintage papers featuring a wedding party from the '47 Broadway show Brigadoon. I liked the color tones as a compliment to the spine, and who doesn't like a dance party? Filled with repurposed paper from a giant sketchbook and finished with a diagonally sewn spine.

Bonus round:

I hate waste so I took the remnants of my cut pages from the sketchbook above and made a smaller book out of them. Cover is with the same remnant gold paper as the first sketchbook posted, paired with more glossy magazine cuttings I have laying around. Endsheets are hand-marblized paper from my college years. If you're wondering how extensive my hoarded collection of materials are at this point, I'm working on it for the sake of my husband, that's all I'll say!

I feel like each of these have a completely different feel to them and can imagine each of them belonging to a different type of person. Do any of these appeal to you more than the others?

throwback, experiments, illustration, sketchbook

Victim of Love

With Valentine's Day coming up, I'm going through my box of past projects and posting a love-related piece every day this week. This is Day 2 of 5.

Not interested in love right now? Hate it? We've all been there, and this Valentine's Day post is all about that sentiment.

Around the time I was starting out in graphic design, I was also working my way out of a toxic relationship and found myself turning to visual art for the first time. Turning my obsessive thoughts into something more constructive helped me move on from them, and eventually I was able to turn my negative feelings into something a little more humorous and digestible as well. A few relics from that period are below:

"Lovefool" is  a pattern inspired by my mom's retro laundry basket. It started off with a bird's life cycle, but I ultimately changed the kissing pair into a broken hearted dialogue, with one bird professing love while the other called it a fool. Very emo. Still enjoy the pattern though!

"Lovefool" is a pattern inspired by my mom's retro laundry basket. It started off with a bird's life cycle, but I ultimately changed the kissing pair into a broken hearted dialogue, with one bird professing love while the other called it a fool. Very emo. Still enjoy the pattern though!

Cheesy and somewhat misandrist (hover over the image if you have trouble reading them), but by the time I was done with each sketch all the negativity was gone. How can you possibly be this ridiculous and take your situation seriously at the same time? Maybe there's a sympathy card or two for a similarly broken-hearted friend in these silly sketches somewhere...

Well, I think I've embarrassed myself enough here =) For those in the same boat right now, I hope you got a chuckle or two, or at least a little Amen, Sista! hehe

sketchbook, typography

Birth of a Logo, in 4 Movements*

*Caution: in keeping with the subject, more musically cheesy jokes ahead. Creating cohesive brand experienceshere is where one begins to wonder if there shouldn't be some limits!

For the past several weeks I've been working on a new logo for Keys To Success', a great piano teaching studio in NYC, and it finally launched today!

Given the occasion, I thought it was the perfect time to give a glimpse into my typical logo design process, and I've boiled it down into four basic "movements."


The first thing I do at the start of any project is get to know* the client as much as possible. In contrast to their competition, which teaches students to aspire towards historical and musical greats, Keys To Success centers around the individual student and helps them draw out their inherent potential. To us this meant a more modern, human aesthetic that at the same time is balanced with a sense of quality. It was decided that the entire name should be spelled out within the logo, and we started off with colors that naturally appealed to the founder and also seemed bright and fun for their target audience.

*For more on the what and why, read about my design approach

2nd movement

Armed with my client research, I then begin sketching visual ideas, exploring conceptual associations, and finding appropriate fonts within budget so I can investigate any inherent connections within the letterforms.

Some initial sketches and ideas

Some initial sketches and ideas

After I've explored various conceptual directions, I narrow down the options to present for review. At this stage, there is limited refinement and the focus is more on the representation of distinct visual ideas and concepts. 

First set of different logo directions submitted

First set of different logo directions submitted

  1. Playing with positive and negative space, the "E"s in the name form a piano keyboard. In the lower option (1B), the shape above "Keys" forms the handle of a key whose teeth are piano keys, making the pun of "keys" more explicit. This one was my favorite option.
  2. "Keys To Success" is aligned with an abstracted keyboard, where the blocks above the letters are the black keys and the white keys are hinted at by the placement of the letters and the vertical lines.
  3. The top view of a grand piano's keys also act as an upward-moving bar-graph, with the spine of the "k" lining up as the last bar, illustrating Keys To Success as helping one reach their full potential.
  4. Here, the letters of the font are altered to allude to musical notation without literally being replaced by them. The first "E"=a staff, the first "S"=a treble clef, "UC"=a bass clef. This could have been further emphasized or simplified if it had been chosen.
  5. A multi-perspective view of a stylized black key and two stylized white keys (the left one being pressed), arranged into a tiered winner's platform.

3rd movement

After the first presentation, the client is asked to narrow down the selection to pursue. In this case, Keys To Success liked the first and second direction best, with 1A appealing more to the founder than 1B. Feedback was given on their shapes, spacing, etc., and it was decided that the colors needed to shift to richer and darker tones that better reflected Keys To Success' urban environment and audience.

A snapshot of some color combinations and logo alternatives.

A snapshot of some color combinations and logo alternatives.

4th movement

At the end of the second round, the final logo direction and color combination is chosen. At this time I go in and adjust the smallest details, from the shapes of the letter C and roundedness in the vertical lines to the perceived spaces between letters so that everything looks properly aligned and evenly spaced (even if mathematically they are not—in designer-speak this is called "kerning").

Refinement of letter forms and spacing

Refinement of letter forms and spacing

The appropriate files for this final version is prepared, along with specific rights for usage, and after final approval is given...


The logo project is finally complete, and a logo is born!

Did you enjoy looking under the hood at the design process? What are your reactions to the way the logo progressed? Let me know in the comments!